Film Policy Review ‘acknowledged the value of the UK’s film animation sector’

Animation Alliance UK welcomes recommendations in the Film Policy Review report – A Future for British Film – that could greatly benefit the independent animation sector, particularly that of ‘an increased focus on the animation sector’ by the BFI.

The Review recommends that the BFI ‘makes allowance for development funding that recognises the unique challenges of animation development’. The acknowledgement that animation requires a longer development cycle and that this should be a consideration when funding work is significant. The report also suggests that the BFI could play an active role in helping to foster relationships with distributors and sales agents.

We are, however, wary that the report considers animation alongside another under-represented area, films for children, with the potential to compound historic notions that animation equates to cartoons, and with the report’s focus on the commercial success of animated features, including independent films such as The Illusionist and Jackboots on Whitehall, but also a raft of summer blockbusters for family audiences – Toy Story 3, Shrek Forever After and Despicable Me.

Whilst the report concentrates on feature films, and there is little mention of support for short film, it is nevertheless strongly behind career progression support for filmmakers and recommends that the BFI builds a strategy for revitalising low-budget filmmaking. It cites the success of short film production schemes from the nations, with an emphasis developing a greater diversity of talent across the UK as a starting point for discussion, and schemes such as Northern Ireland’s Short Steps, It’s My Shout in Wales, and Scotland’s Short Film scheme are referred to as exemplary projects. Comparable schemes to support the development of independent animators at the early stages of their careers is key for the development of the animation sector.

The panel recognised that in the digital age the animation sector stands out as an exemplar and an innovator in its use of digital technology, and noted the crossover potential there is with other UK creative industries – post-production, VFX and games sectors.

This review is positive and offers real potential for the independent animation sector. At the launch of the report, Animation Alliance UK asked Panel chair Lord Smith of Finsbury how animation and short film were supported by the review, and he assured us that the report’s recommendation that ‘the BFI makes allowance for development funding that recognises the unique challenges of animation development’ was intended to encompass independent, short animation.

He encouraged the Alliance to seek involvement in round table talks at the BFI as they write their Forward Plan, and to flesh out just what ‘an increased focus on the animation sector’ could mean.

Read the full report here.

2011

A reminder that UK independent animation continued to deliver in 2011 and that its brilliance was recognised around the world.

Back in September, at Ottawa International Animation Festival – the biggest of its kind in North America – animators from the UK did fantastically well – taking SEVEN of the fifteen international prizes, including the Festival’s three Grand Prizes:

Nelvana GRAND PRIZE for Best Independent Short Animation: Moxie by Stephen Irwin
GRAND PRIZE for Best Animated Feature: Dead but not Buried by Phil Mulloy
GRAND PRIZE for Best Commissioned Animation is: Intel ‘The Chase’ by Adam Foulkes & Alan Smith (Nexus)
Best Undergraduate Animation: The Goat and the Well by Ben Cady (Newport)
Best Graduation Animation: I’m Fine Thanks by Eamonn O’Neill (UK & Ireland)
Best Music Video: Joyz ‘Electropia’ by Noriko Okaku (UK & Japan)
National Film Board of Canada (NFB) PUBLIC PRIZE: The Goat and the Well by Ben Cady (UK)
Plus an Honourable Mention in the Best Short Animation Made for Children category for Marvin by Mark Nute.

More recognition of UK independent animation talent coming soon:

In January, the Arts Foundation announces its prestigious Award for Animation. Shortlisted animators are Phoebe Boswell, Robert Morgan, Victoria Mather, and Stephen Irwin.

And there will be a brilliantly strong showing of UK animation at the Sundance Film Festival, with five out of a total of seven films selected in the international Animated Short category, plus another two animations selected for the International Narrative Short category:

Don’t Hug Me I’m Scared, This Is It Collective
Moxie, Stephen Irwin
Belly, Julia Pott
BOBBY YEAH, Robert Morgan
A Morning Stroll, Grant Orchard
Robots of Brixton, Kibwe Tavares
Slow Derek, Dan Ojari

In January and February, the British Animation Awards Public Choice programmes can be seen at cinemas across the UK, with the Awards themselves announced in March.

Alliance panel at Animated Encounters

Animated Encounters will be hosting an Animation Alliance UK event at this year’s festival – a first opportunity to meet under the ‘Alliance’ banner, and to discuss the challenges facing independent animation, the changing landscape, and what needs to be done.

Confirmed for the panel event are Gary Thomas (Animate Projects, and AAUK coordinator), Joan Ashworth (animation director and Profess of Animation at the Royal College of Art), Sara Barbas (animator, writer and director), Miles Bullough (Head of Broadcast, Aardman Animations) and Sarah Cox (animation director and producer at ArthurCox).

Animation Alliance UK: What do we want? is a free industry event and will take place at 4pm, 16 November at Arnolfini, Bristol.

Animated Encounters runs from 16 – 20 November. More information about the exciting line up here.